Eerie Prostheses and Kinky Strap-Ons: On the Ableist Ideology of Mori’s Uncanny Valley

In his paper 'The Uncanny Valley' (1970), Masahiro Mori advises designers to avoid high degrees of human likeness in prosthetic body parts in order not to evoke uncanniness. Building on a discussion of the difference in the commonly experienced uncanniness of 'realistic' looking prosthetic hands and strap-on dildos, this paper argues that Mori's hypothesis and his approach to design are based on an essentialist concept of the human body, which is complicit in the persistence of ableist body ideologies. Reading recent empirical research on the uncanny valley in the context of Jentsch's and Freud's writing, it is suggested that the design of body-related artefacts should promote, rather than avoid, repetitious uncanny experiences. Such a project aims to diminish uncanniness through 'force of habit', thus facilitating the acceptance of a broader variety of bodies as equal

Sonified freaks and sounding prostheses: sonic representation of bodies in performance art

This study is concerned with the role of sound in the presentation and representation of bodies in performance art that incorporates digital technologies. It consists of a written thesis accompanied by a portfolio with documentation of original artwork. Since the 1960s, performance artists have explored the use of sensor technologies to register signals generated by the body and synthesize or control sound. However, both practical and theoretical approaches to biosignal sonification in this field have almost entirely focused on musical (formalist) perspectives, technological innovation, or heightening the performer’s and spectator’s awareness of their body’s physiology. Little attention has been paid to the usually conspicuous interaction between body and technological equipment and the role of the generated sound in the context of cultural critical debates regarding the performing body. The present study responds to this observation in two ways: Firstly, the written part of the study examines existing biosignal performance practices. It seeks to demonstrate that artists’ decisions on the design of sensor technology and sound synthesis or manipulation methods are often complicit in the representation of normative body types and behaviour. Drawing from a concept of the sonified body as a transgressive or ‘freak’ body, three critical perspectives on biosignal sonification in digital performance are proposed: A reading of body sonification methods from a gender-critical perspective, an inquiry in the context of Mikhail Bakhtin’s concepts of the grotesque and the classical body, and a conceptualization of the sonified body as a posthuman prosthetisized body. This part of the study serves as a framework for its second objective: the development of practical performance strategies to address and challenge cultural conventions concerning ‘the’ body’s form and role in society. This aspect of the thesis is developed in conjunction with, and further explored in, the artwork documented in the portfolio. The practical part of the study consists of three digital performance works. ELECTRODE (2011) involves an anal electrode that registers the activity of my sphincter muscle and uses this data to synthesize sound. For this work, I modified a commercially available muscle tension sensor device designed for people with faecal incontinence problems. Feedback (2010) encompasses components of a commercially available fetal Doppler sensor intended to listen to the heartbeat of unborn babies. SUIT (2009-2010) encompasses several performances that feature a PVC overall equipped with a loudspeaker, sensor interface and Doppler and humidity sensors

Organic Food Claims in Europe

Better regulatory guidelines, improved testing methods, and additional research into product quality criteria are needed to further develop the European organic food market

SKID RAW: Skill Discovery From Raw Trajectories

Integrating robots in complex everyday environments requires a multitude of problems to be solved. One crucial feature among those is to equip robots with a mechanism for teaching them a new task in an easy and natural way. When teaching tasks that involve sequences of different skills, with varying order and number of these skills, it is desirable to only demonstrate full task executions instead of all individual skills. For this purpose, we propose a novel approach that simultaneously learns to segment trajectories into reoccurring patterns and the skills to reconstruct these patterns from unlabelled demonstrations without further supervision. Moreover, the approach learns a skill conditioning that can be used to understand possible sequences of skills, a practical mechanism to be used in, for example, human-robot-interactions for a more intelligent and adaptive robot behaviour. The Bayesian and variational inference based approach is evaluated on synthetic and real human demonstrations with varying complexities and dimensionality, showing the successful learning of segmentations and skill libraries from unlabelled data

CreoleVal: Multilingual Multitask Benchmarks for Creoles

Creoles represent an under-explored and marginalized group of languages, with few available resources for NLP research. While the genealogical ties between Creoles and other highly-resourced languages imply a significant potential for transfer learning, this potential is hampered due to this lack of annotated data. In this work we present CreoleVal, a collection of benchmark datasets spanning 8 different NLP tasks, covering up to 28 Creole languages; it is an aggregate of brand new development datasets for machine comprehension, relation classification, and machine translation for Creoles, in addition to a practical gateway to a handful of preexisting benchmarks. For each benchmark, we conduct baseline experiments in a zero-shot setting in order to further ascertain the capabilities and limitations of transfer learning for Creoles. Ultimately, the goal of CreoleVal is to empower research on Creoles in NLP and computational linguistics. We hope this resource will contribute to technological inclusion for Creole language users around the globe

CreoleVal: Multilingual Multitask Benchmarks for Creoles

Creoles represent an under-explored and marginalized group of languages, with few available resources for NLP research. While the genealogical ties between Creoles and other highly-resourced languages imply a significant potential for transfer learning, this potential is hampered due to this lack of annotated data. In this work we present CreoleVal, a collection of benchmark datasets spanning 8 different NLP tasks, covering up to 28 Creole languages; it is an aggregate of brand new development datasets for machine comprehension, relation classification, and machine translation for Creoles, in addition to a practical gateway to a handful of preexisting benchmarks. For each benchmark, we conduct baseline experiments in a zero-shot setting in order to further ascertain the capabilities and limitations of transfer learning for Creoles. Ultimately, the goal of CreoleVal is to empower research on Creoles in NLP and computational linguistics. We hope this resource will contribute to technological inclusion for Creole language users around the globe

Structure and content of the EU-IVDR: current status and implications for pathology

Background Regulation (EU) 2017/746 on in vitro diagnostic medical devices (IVDR) was passed by the European Parliament and the Council of the European Union on 5 April 2017 and came into force on 26 May 2017. A new amending regulation, which introduces a phased implementation of the IVDR with new transitional provisions for certain in vitro diagnostic medical devices (IVDs) and a later date of application of some requirements for in-house devices for healthcare facilities, was adopted on 15 December 2021. The combined use of CE-certified IVDs (CE-IVDs), in-house IVDs (IH-IVDs), and research use only (RUO) devices are a cornerstone of diagnostics in pathology departments and crucial for optimal patient care. The IVDR not only regulates the manufacture and placement on the market of industrially manufactured IVDs, but also imposes conditions on the manufacture and use of IH-IVDs for internal use by healthcare facilities. Objectives Our work provides an overview of the background and structure of the IVDR and identifies core areas that need to be interpreted and fleshed out in the context of the legal framework as well as expert knowledge. Conclusions The gaps and ambiguities in the IVDR crucially require the expertise of professional societies, alliances, and individual stakeholders to successfully facilitate the implementation and use of the IVDR in pathology departments and to avoid aberrant developments

Stratospheric aerosol - Observations, processes, and impact on climate

Interest in stratospheric aerosol and its role in climate have increased over the last decade due to the observed increase in stratospheric aerosol since 2000 and the potential for changes in the sulfur cycle induced by climate change. This review provides an overview about the advances in stratospheric aerosol research since the last comprehensive assessment of stratospheric aerosol was published in 2006. A crucial development since 2006 is the substantial improvement in the agreement between in situ and space-based inferences of stratospheric aerosol properties during volcanically quiescent periods. Furthermore, new measurement systems and techniques, both in situ and space based, have been developed for measuring physical aerosol properties with greater accuracy and for characterizing aerosol composition. However, these changes induce challenges to constructing a long-term stratospheric aerosol climatology. Currently, changes in stratospheric aerosol levels less than 20% cannot be confidently quantified. The volcanic signals tend to mask any nonvolcanically driven change, making them difficult to understand. While the role of carbonyl sulfide as a substantial and relatively constant source of stratospheric sulfur has been confirmed by new observations and model simulations, large uncertainties remain with respect to the contribution from anthropogenic sulfur dioxide emissions. New evidence has been provided that stratospheric aerosol can also contain small amounts of nonsulfate matter such as black carbon and organics. Chemistry-climate models have substantially increased in quantity and sophistication. In many models the implementation of stratospheric aerosol processes is coupled to radiation and/or stratospheric chemistry modules to account for relevant feedback processes

Recycled Coil: a cyborg to engage the politics of electronic waste (REF 2021 Practice Research Submission)

Recycled Coil is a performance-based artwork involving body modification and electronics. It engages critically with the cultural figure of the cyborg in the context of the problematics of technological obsolescence and electronic waste (e-waste). This multi-component output, supported by contextual information, is the outcome of a two-part process: firstly, a research journey to Nigeria, during which e-waste originating from Europe was collected. Secondly, the conception and realization of an artwork with accompanying essay, based on one of the collected components, an electromagnetic coil from a television. E-waste has emerged as a significant, environmentally hazardous by-product of digital culture. Yet, everyday representations of digital technology remain dominated by smooth surfaces, a sense of perpetual newness and suggestions of immateriality (for example, through concepts like ‘the cloud’). Thus, technology consumerism is often experienced as being disconnected from the materiality of waste, ecological damage and dwindling resources. This is also reflected in popular perceptions of the figure of the cyborg — a symbiosis of human and machinic body parts. Cyborgs are commonly imagined as enhanced human bodies, equipped with state-of-the-art technologies. Recycled Coil challenges this techno-utopian vision by presenting a cyborg that foregrounds the afterlife of technological components. Thus, it constitutes what I call an ‘abject digital performance’ that raises awareness of the material implications of technological innovation. Instead of state-of-the-art, new components, e-waste was installed in my body: a body piercer sewed copper wire from a discarded television through my abdomen skin. Instead of enhancing my body’s capabilities, I added an apparently useless technological function: during a five-day exhibition period, a regularly pulsating electric current was run through the coil on my abdomen. This generated a very weak electromagnetic signal, which was merely made visible to audiences with a magnetometer and not used for any utilitarian purpose